American Interweave: New Music for Cello and Piano

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In the fall of 1999 the Krishnaswami-Salman Duo (Rajan Krishnaswami, cello, and Mark Salman, piano) toured the East coast with concerts in Boston, Pittsburgh, and New York City. They wound up the tour with a superb concert in their hometown of Seattle to a very appreciative audience in the Illsley Ball Nordstrom Recital Hall at Benaroya Hall.

Concertizing together since 1991 they have earned an enthusiastic audience and have explored together a wide range of musical material. They have specialized in commissioning new works by American composers. They savor energy, melody, wide ranges of mood, tonal, musical expressiveness with evocative phrases and they have been nurturing an audience that now appreciates their vision of contemporary musical composition.

Their first CD is a wonderful collection of pieces that embody all of these characteristics. Several pieces were commissioned by Rajan Krishnaswami and were written inspired by his musical personality. Others are written by composers that he knows and admires. The music was recorded in a long weekend recording session in the chapel of Bastyr University (Saint Thomas Seminary, Bothel, WA). The site was chosen because of the excellent acoustics in the chapel. The great care that was put into the recording is immediately felt when listening to the CD. The performance is very intimate and heartfelt.

CARPE DIEM STRING QUARTET; David Korevaar; Dariush Saghafi


This sixth album from the Iranian composer Reza Vali is dedicated to love and longing as heard through a lavishly coloured, musically exhilarating kaleidoscope of Persian and Western forms and content. It is the improvisational nature of the three works written for and performed by the Carpe Diem Quartet with great gusto and an emphasis on exotic folk and Eastern influences that produces the most powerful effects, as in the eight intriguing meditations of Ormavi, told, the composer says, ‘from a solely Persian perspective’.

The 18-minute Raak, No 15 in the composer’s ‘Calligraphy’ series based on a Persian system of modes similar to Indian ragas, is even more unpredictable in its mood and movement; the wealth of evocative sounds and sources Vali uses to achieve his many climaxes include a melody of Brahms-ian breadth and beauty and, at the end, a stunning, brief fragment from Beethoven’s Ninth Symphony.

Vali generously and provocatively provides two different versions of Âshoob, No 14 in the ‘Calligraphy’ series. In its original form for quartet and the Persian hammered dulcimer known as a santoor it is a tangibly otherworldly experience; arranged for string quartet alone it is hypnotic in another way, reminiscent at times of Bartók’s use of folk sources for melody and energy.

To fill out the disc, the Carpe Diem violinist Charles Wetherbee and the pianist David Korevaar play Three Romantic Songs, written for the composer’s wife, paying homage to Brahms and concluding with a ‘Tango Johannes’ which Vali describes as Brahms ‘trying to dance the tango with Clara Schumann’, and Love Drunk, consisting of four pleasantly inebriated folk songs.

Gramaphone Reviews, Laurence Vittes